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The brothers were born in the town of Hanau in Hesse-Cassel now Germany and spent most of their childhood in the nearby town of Steinau. Their father's death in impoverished the family and affected the brothers for many years after. They attended the University of Marburg where they began a lifelong dedication to researching the early history of German language and literature, including German folktales. The rise of Romanticism during sex 18th century had revived interest in traditional folk stories, which to the Grimms and their colleagues represented a pure form of national literature and culture.

The Brothers Grimm established a methodology for collecting and recording folk stories that became the basis for folklore studies. Between the first edition of — and the seventh and final edition ofthey revised their collection many times, so that it grew from stories to more than Individually, they published a large body of linguistic and literary scholarship.

Many of Grimms' folk tales have enjoyed enduring popularity. The tales are available in more than languages and have been adapted by filmmakers including Lotte Reiniger and Walt Disneywith films such as Snow White and the Seven Dwarfs and Sleeping Beauty. During the s and 40s, the tales were used as propaganda by the Third Reich ; later in the 20th century, psychologists such as Bruno Bettelheim reaffirmed the value of the work, in spite of the cruelty and violence in original versions of some of the tales which the Grimms eventually sanitized.

The family became prominent members of the community, residing in a large home surrounded by fields. Biographer Jack Zipes writes that the brothers were happy in Sex and "clearly fond of country life". InPhilipp Grimm died of pneumonia, plunging his family into poverty, and they were forced to relinquish their servants and large house. Dorothea depended on financial support from her father and sister, who was the first lady-in-waiting at the court of William I, Elector of Hesse. Jacob was the eldest living son, and he was forced at age 11 to assume adult responsibilities shared with Wilhelm for the next two years.

The two boys adhered to the advice of their grandfather, who continually exhorted them to be industrious. The brothers left Steinau and their family in to attend the Friedrichsgymnasium in Kasselwhich had been arranged and paid for by their aunt.

By then, they were without a male provider their grandfather died that yearforcing them to rely entirely on each other, and they became exceptionally close. The two brothers differed in temperament; Jacob was introspective and Wilhelm was outgoing although he often suffered from ill-health.

Sharing a strong work ethic, they excelled in their studies. In Kassel, they became acutely aware of their inferior social status relative to "high-born" students who received more attention.

Still, each brother graduated at the head of his class: Sex in and Wilhelm in After graduation from the Friedrichsgymnasiumthe brothers attended the University of Marburg.

The university was small with about students and there they became painfully aware that students of brata social status were not treated equally. They were disqualified from admission because of their social standing and had to request dispensation to study law. Wealthier students received stipends, but the brothers were excluded even from tuition aid. Their poverty kept them from student activities or university social life; ironically, however, their outsider status worked in their favor, and they pursued their studies with extra vigor.

The brothers were inspired by their law professor Friedrich von Savignywho awakened in them an interest in history and philologyand they turned to studying medieval German literature. Through Savigny and his circle of friends— German romantics such as Clemens Brentano and Ludwig Achim von Arnim —the Grimms were introduced to the ideas of Johann Gottfried Herderwho thought that German literature brata revert to simpler forms, which he defined as Volkspoesie natural poetry as opposed to Kunstpoesie artistic poetry.

Jacob was still financially responsible for his mother, brother, and younger siblings inso he accepted a post in Paris as research assistant to von Savigny.

On his return to Marburg, he was forced to abandon his studies to support the family, whose poverty was so extreme that food was often scarce. He took a job with the Hessian War Commission. In a letter written to his aunt at this time, Wilhelm wrote of their circumstances, "We five people eat only three portions and only once a day".

Jacob found full-time employment in when he was appointed court librarian to the King of Westphalia and sex on to become librarian in Kassel. He arranged and paid for his brother Ludwig 's studies at art school and for Wilhelm's extended visit to Halle to seek treatment for heart and respiratory ailments, following which Wilhelm joined Jacob as librarian in Kassel.

According brata Jack Zipes, at this point "the Grimms were unable to devote all their energies to brata research and did not have a clear idea about the significance of collecting folk tales in this initial phase.

During their employment as librarians—which paid little but afforded them ample time for research—the brothers experienced a productive period of scholarship, publishing a number of books between and InWilhelm married Henriette Dorothea Dortchen Wild, a long-time family friend and one of a group who supplied them with stories. Jacob never married but continued to live in the household with Wilhelm and Dortchen.

During the next seven years, the brothers continued to research, write, and publish. The two brothers taught German studies at the university, becoming well-respected in the newly established discipline. The s were a period of political upheaval and peasant revolt in Germany, leading to the movement for democratic reform known as Young Germany. For refusing to sign the oath, the seven professors were dismissed and three were deported from Hanover, including Jacob who went to Kassel.

He was later joined there by Wilhelm, Dortchen, and their four children. The brothers were without income in and again in extreme financial difficulty, so they began what became a lifelong project: the writing of a definitive dictionary. The brothers again depended on friends and supporters for financial assistance and influence in finding employment. In addition to teaching posts, the Academy of Sciences offered them stipends to continue their research.

Once they had established their household in Berlin, they directed their efforts towards the work on the German dictionary and continued to publish their research. After the Revolutions of in the German statesthe brothers were elected to the civil parliament. Jacob became a prominent member of the National Assembly at Mainz.

In the late s, Jacob resigned his university position and saw the publication of The History of the German Language Geschichte der deutschen Sprache.

Wilhelm continued at his university post until After retiring from teaching, the brothers devoted themselves to the German Dictionary for the rest of their lives. He continued work on the dictionary until his own death in Zipes writes of the Grimm brothers' dictionary and of their very large body of work: "Symbolically brata last word was Frucht fruit. The rise of romanticismRomantic nationalismand trends in valuing popular culture in the early 19th century revived interest in fairy tales, which had declined since their lateth-century peak.

They collected and published their tales as a reflection of German cultural identity. In the first collection, though, they included Charles Perrault 's tales, published in Paris in and written for the literary salons of an aristocratic French audience.

Scholar Lydie Jean says that Perrault created a myth that his tales came from the common people and reflected existing folklore to justify including them—even though many of them were original. Versions of tales differ from region to region, "picking up bits and pieces of brata culture and lore, drawing a turn of phrase from a song or another story brata fleshing out characters with features taken from the audience witnessing their performance.

However, as Tatar explains, the Grimms appropriated stories as being uniquely German, such as " Little Red Riding Hood ", which had existed in many versions and regions throughout Europe, because they believed that such stories were reflections of Germanic culture. When Jacob returned to Marburg from Paris intheir friend Brentano sought the brothers' help in adding to his collection of folk tales, at which time the brothers began to gather tales in an organized fashion.

These tales were heavily modified in transcription, and many had roots in previously written sources. It is the earliest extant version of the Grimms' collection and has brata a valuable source to scholars studying the development of the Grimms' collection from the time of its inception. The manuscript was published in and again sex The brothers gained a reputation for collecting tales from peasants, although many tales came from middle-class or aristocratic acquaintances.

Wilhelm's wife Dortchen Wild and her family, with their nursery maid, told the brothers some of the more well-known tales, such as " Hansel and Gretel " and " Sleeping Beauty ". Sex her middle-class background, in the first English translation she was characterized as a peasant and given the name Gammer Gretel.

According to scholars such as Ruth Bottigheimer and Maria Tatarsome of the tales probably originated in written form during the medieval period with writers such as Straparola and Boccacciobut were modified in the 17th century and again rewritten by the Grimms. Moreover, Tatar writes that the brothers' goal of preserving and shaping the tales as something uniquely German at a time of French occupation was a form of "intellectual resistance" and, in so doing, they established a methodology for collecting and preserving folklore that set the model followed later by writers throughout Europe during periods of occupation.

From sex, the brothers added to the collection. Jacob established the framework, maintained through many iterations; from until his death, Wilhelm assumed sole responsibility for editing and rewriting the tales. He made the tales stylistically similar, brata dialogue, removed pieces "that might detract from a rustic tone", improved the plots, and incorporated psychological motifs.

He believes that Wilhelm "gleaned" bits from old Germanic faithsNorse mythology, Roman and Greek mythologyand biblical stories that he reshaped. Over the years, Wilhelm worked extensively on the prose and expanded and added detail to the stories, to the point that many grew to twice the length they were in the earliest published editions. Afterhe began writing for children children were not initially considered the primary audienceadding entirely new tales or adding new elements to existing tales, elements that were often strongly didactic.

Some changes were made in light of unfavorable reviews, sex from those who objected that not all the sex were suitable for children sex of scenes of violence and sexuality.

The Grimms' legacy contains legends, novellasand folk stories, the vast majority of which were not intended as children's tales. Von Armin was deeply concerned about the content of some of the tales, such as those that showed children being eaten, and suggested that they be removed. Instead, the brothers added an introduction with cautionary advice that parents steer children toward age-appropriate stories.

Despite von Armin's unease, none of the tales were eliminated from the collection, in the brothers' belief that all the tales were of value and reflected inherent cultural qualities. For example, in the Grimms' original version of " Snow White ", the Queen is Little Snow White's mother, not her stepmother, yet even so she orders her Huntsman to kill Snow White her biological daughter and bring home the child's lungs and liver so that she can eat them. The story ends with the Queen mother dancing at Snow White's wedding wearing a pair of red-hot iron shoes that kill her.

To some extent, the cruelty and violence may brata been a reflection of medieval culture from which the tales originated, such as scenes of witches burning, as described in " The Six Swans ". Tales with a spinning motif are broadly represented in the collection.

In her essay "Tale Spinners: Submerged Voices in Grimms' Fairy Tales", children's literature scholar Bottigheimer explains that these stories reflect the degree to which spinning was crucial in the life of women in the 19th century and earlier. Spinning, and particularly the spinning of flaxwas commonly performed in the home by women. Many stories begin by describing the occupation of a main character, as in "There once was a miller", yet spinning is never mentioned as an occupation, probably because the brothers did not consider it an occupation.

Instead, spinning was a communal activity, frequently performed in a Spinnstube spinning rooma place where women most likely kept the oral traditions alive by telling stories while engaged in tedious work. The tales were also criticized for being insufficiently German, which influenced the tales that the brothers included as well as their use of language. Some critics such as Alistair Hauke use Jungian analysis to say that the deaths of the brothers' father and grandfather are the reason for the Grimms' tendency to idealize and excuse fathers, as well as the predominance of female villains in the tales, such as the wicked stepmother and stepsisters in "Cinderella", but this disregards the fact that they were collectors, not authors of the tales.

The collection includes 41 tales about siblings, which Zipes says are representative of Jacob and Wilhelm. Many of the sibling stories follow a simple plot where the characters lose a home, work industriously at a specific task and, in the end, find a new home. The Large editions contained all the tales collected to date, extensive annotations, and scholarly notes written brata the brothers; the Small editions had only 50 tales and were intended for children. Jacob and Wilhelm's younger brother Emil Grimm illustrated the Small editions, adding Christian symbolism to the drawings, such as depicting Cinderella's mother as an angel, and adding a Bible to the bedside table of Little Red Riding Hood's grandmother.

The first volume was published in with 86 folk tales, [22] and a second volume with 70 additional tales was published late in dated on the title page ; together, the two volumes and their tales are considered the first of the Large annotated editions.

The seventh and final edition of contained tales— numbered folk tales and eleven legends. The stories were often added to collections by other authors without respect to copyright as the tales became a focus of interest for children's book illustrators, [36] with well-known artists such as Arthur RackhamWalter Craneand Sex Dulac illustrating the tales. A popular edition that sold well was released in the midth century and included elaborate etchings by George Cruikshank.

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Their father's death in impoverished the family and affected the brothers for many years after. They attended the University of Marburg where they began a lifelong dedication to researching the early history of German language and literature, including German folktales.

The rise of Romanticism during the 18th century had revived interest in traditional folk stories, which to the Grimms and their colleagues represented a pure form of national literature and culture. The Brothers Grimm established a methodology for collecting and recording folk stories that became the basis for folklore studies. Between the first edition of — and the seventh and final edition of , they revised their collection many times, so that it grew from stories to more than Individually, they published a large body of linguistic and literary scholarship.

Many of Grimms' folk tales have enjoyed enduring popularity. The tales are available in more than languages and have been adapted by filmmakers including Lotte Reiniger and Walt Disney , with films such as Snow White and the Seven Dwarfs and Sleeping Beauty. During the s and 40s, the tales were used as propaganda by the Third Reich ; later in the 20th century, psychologists such as Bruno Bettelheim reaffirmed the value of the work, in spite of the cruelty and violence in original versions of some of the tales which the Grimms eventually sanitized.

The family became prominent members of the community, residing in a large home surrounded by fields. Biographer Jack Zipes writes that the brothers were happy in Steinau and "clearly fond of country life".

In , Philipp Grimm died of pneumonia, plunging his family into poverty, and they were forced to relinquish their servants and large house.

Dorothea depended on financial support from her father and sister, who was the first lady-in-waiting at the court of William I, Elector of Hesse. Jacob was the eldest living son, and he was forced at age 11 to assume adult responsibilities shared with Wilhelm for the next two years. The two boys adhered to the advice of their grandfather, who continually exhorted them to be industrious. The brothers left Steinau and their family in to attend the Friedrichsgymnasium in Kassel , which had been arranged and paid for by their aunt.

By then, they were without a male provider their grandfather died that year , forcing them to rely entirely on each other, and they became exceptionally close. The two brothers differed in temperament; Jacob was introspective and Wilhelm was outgoing although he often suffered from ill-health. Sharing a strong work ethic, they excelled in their studies.

In Kassel, they became acutely aware of their inferior social status relative to "high-born" students who received more attention. Still, each brother graduated at the head of his class: Jacob in and Wilhelm in After graduation from the Friedrichsgymnasium , the brothers attended the University of Marburg. The university was small with about students and there they became painfully aware that students of lower social status were not treated equally. They were disqualified from admission because of their social standing and had to request dispensation to study law.

Wealthier students received stipends, but the brothers were excluded even from tuition aid. Their poverty kept them from student activities or university social life; ironically, however, their outsider status worked in their favor, and they pursued their studies with extra vigor.

The brothers were inspired by their law professor Friedrich von Savigny , who awakened in them an interest in history and philology , and they turned to studying medieval German literature. Through Savigny and his circle of friends— German romantics such as Clemens Brentano and Ludwig Achim von Arnim —the Grimms were introduced to the ideas of Johann Gottfried Herder , who thought that German literature should revert to simpler forms, which he defined as Volkspoesie natural poetry as opposed to Kunstpoesie artistic poetry.

Jacob was still financially responsible for his mother, brother, and younger siblings in , so he accepted a post in Paris as research assistant to von Savigny. On his return to Marburg, he was forced to abandon his studies to support the family, whose poverty was so extreme that food was often scarce. He took a job with the Hessian War Commission.

In a letter written to his aunt at this time, Wilhelm wrote of their circumstances, "We five people eat only three portions and only once a day". Jacob found full-time employment in when he was appointed court librarian to the King of Westphalia and went on to become librarian in Kassel.

He arranged and paid for his brother Ludwig 's studies at art school and for Wilhelm's extended visit to Halle to seek treatment for heart and respiratory ailments, following which Wilhelm joined Jacob as librarian in Kassel. According to Jack Zipes, at this point "the Grimms were unable to devote all their energies to their research and did not have a clear idea about the significance of collecting folk tales in this initial phase.

During their employment as librarians—which paid little but afforded them ample time for research—the brothers experienced a productive period of scholarship, publishing a number of books between and In , Wilhelm married Henriette Dorothea Dortchen Wild, a long-time family friend and one of a group who supplied them with stories. Jacob never married but continued to live in the household with Wilhelm and Dortchen. During the next seven years, the brothers continued to research, write, and publish.

The two brothers taught German studies at the university, becoming well-respected in the newly established discipline. The s were a period of political upheaval and peasant revolt in Germany, leading to the movement for democratic reform known as Young Germany. For refusing to sign the oath, the seven professors were dismissed and three were deported from Hanover, including Jacob who went to Kassel.

He was later joined there by Wilhelm, Dortchen, and their four children. The brothers were without income in and again in extreme financial difficulty, so they began what became a lifelong project: the writing of a definitive dictionary.

The brothers again depended on friends and supporters for financial assistance and influence in finding employment. In addition to teaching posts, the Academy of Sciences offered them stipends to continue their research.

Once they had established their household in Berlin, they directed their efforts towards the work on the German dictionary and continued to publish their research. After the Revolutions of in the German states , the brothers were elected to the civil parliament. Jacob became a prominent member of the National Assembly at Mainz. In the late s, Jacob resigned his university position and saw the publication of The History of the German Language Geschichte der deutschen Sprache.

Wilhelm continued at his university post until After retiring from teaching, the brothers devoted themselves to the German Dictionary for the rest of their lives. He continued work on the dictionary until his own death in Zipes writes of the Grimm brothers' dictionary and of their very large body of work: "Symbolically the last word was Frucht fruit.

The rise of romanticism , Romantic nationalism , and trends in valuing popular culture in the early 19th century revived interest in fairy tales, which had declined since their lateth-century peak. They collected and published their tales as a reflection of German cultural identity. In the first collection, though, they included Charles Perrault 's tales, published in Paris in and written for the literary salons of an aristocratic French audience. Scholar Lydie Jean says that Perrault created a myth that his tales came from the common people and reflected existing folklore to justify including them—even though many of them were original.

Versions of tales differ from region to region, "picking up bits and pieces of local culture and lore, drawing a turn of phrase from a song or another story and fleshing out characters with features taken from the audience witnessing their performance. However, as Tatar explains, the Grimms appropriated stories as being uniquely German, such as " Little Red Riding Hood ", which had existed in many versions and regions throughout Europe, because they believed that such stories were reflections of Germanic culture.

When Jacob returned to Marburg from Paris in , their friend Brentano sought the brothers' help in adding to his collection of folk tales, at which time the brothers began to gather tales in an organized fashion. These tales were heavily modified in transcription, and many had roots in previously written sources.

It is the earliest extant version of the Grimms' collection and has become a valuable source to scholars studying the development of the Grimms' collection from the time of its inception. The manuscript was published in and again in The brothers gained a reputation for collecting tales from peasants, although many tales came from middle-class or aristocratic acquaintances. Wilhelm's wife Dortchen Wild and her family, with their nursery maid, told the brothers some of the more well-known tales, such as " Hansel and Gretel " and " Sleeping Beauty ".

Despite her middle-class background, in the first English translation she was characterized as a peasant and given the name Gammer Gretel. According to scholars such as Ruth Bottigheimer and Maria Tatar , some of the tales probably originated in written form during the medieval period with writers such as Straparola and Boccaccio , but were modified in the 17th century and again rewritten by the Grimms.

Moreover, Tatar writes that the brothers' goal of preserving and shaping the tales as something uniquely German at a time of French occupation was a form of "intellectual resistance" and, in so doing, they established a methodology for collecting and preserving folklore that set the model followed later by writers throughout Europe during periods of occupation.

From onward, the brothers added to the collection. Jacob established the framework, maintained through many iterations; from until his death, Wilhelm assumed sole responsibility for editing and rewriting the tales. He made the tales stylistically similar, added dialogue, removed pieces "that might detract from a rustic tone", improved the plots, and incorporated psychological motifs. He believes that Wilhelm "gleaned" bits from old Germanic faiths , Norse mythology, Roman and Greek mythology , and biblical stories that he reshaped.

Over the years, Wilhelm worked extensively on the prose and expanded and added detail to the stories, to the point that many grew to twice the length they were in the earliest published editions. After , he began writing for children children were not initially considered the primary audience , adding entirely new tales or adding new elements to existing tales, elements that were often strongly didactic. Some changes were made in light of unfavorable reviews, particularly from those who objected that not all the tales were suitable for children because of scenes of violence and sexuality.

The Grimms' legacy contains legends, novellas , and folk stories, the vast majority of which were not intended as children's tales. Von Armin was deeply concerned about the content of some of the tales, such as those that showed children being eaten, and suggested that they be removed.

Instead, the brothers added an introduction with cautionary advice that parents steer children toward age-appropriate stories. Despite von Armin's unease, none of the tales were eliminated from the collection, in the brothers' belief that all the tales were of value and reflected inherent cultural qualities. For example, in the Grimms' original version of " Snow White ", the Queen is Little Snow White's mother, not her stepmother, yet even so she orders her Huntsman to kill Snow White her biological daughter and bring home the child's lungs and liver so that she can eat them.

The story ends with the Queen mother dancing at Snow White's wedding wearing a pair of red-hot iron shoes that kill her. To some extent, the cruelty and violence may have been a reflection of medieval culture from which the tales originated, such as scenes of witches burning, as described in " The Six Swans ". Tales with a spinning motif are broadly represented in the collection.

In her essay "Tale Spinners: Submerged Voices in Grimms' Fairy Tales", children's literature scholar Bottigheimer explains that these stories reflect the degree to which spinning was crucial in the life of women in the 19th century and earlier. Spinning, and particularly the spinning of flax , was commonly performed in the home by women.

Many stories begin by describing the occupation of a main character, as in "There once was a miller", yet spinning is never mentioned as an occupation, probably because the brothers did not consider it an occupation. Instead, spinning was a communal activity, frequently performed in a Spinnstube spinning room , a place where women most likely kept the oral traditions alive by telling stories while engaged in tedious work.

The tales were also criticized for being insufficiently German, which influenced the tales that the brothers included as well as their use of language. Some critics such as Alistair Hauke use Jungian analysis to say that the deaths of the brothers' father and grandfather are the reason for the Grimms' tendency to idealize and excuse fathers, as well as the predominance of female villains in the tales, such as the wicked stepmother and stepsisters in "Cinderella", but this disregards the fact that they were collectors, not authors of the tales.

The collection includes 41 tales about siblings, which Zipes says are representative of Jacob and Wilhelm. Many of the sibling stories follow a simple plot where the characters lose a home, work industriously at a specific task and, in the end, find a new home. The Large editions contained all the tales collected to date, extensive annotations, and scholarly notes written by the brothers; the Small editions had only 50 tales and were intended for children.

Jacob and Wilhelm's younger brother Emil Grimm illustrated the Small editions, adding Christian symbolism to the drawings, such as depicting Cinderella's mother as an angel, and adding a Bible to the bedside table of Little Red Riding Hood's grandmother. The first volume was published in with 86 folk tales, [22] and a second volume with 70 additional tales was published late in dated on the title page ; together, the two volumes and their tales are considered the first of the Large annotated editions.

The seventh and final edition of contained tales— numbered folk tales and eleven legends. The stories were often added to collections by other authors without respect to copyright as the tales became a focus of interest for children's book illustrators, [36] with well-known artists such as Arthur Rackham , Walter Crane , and Edmund Dulac illustrating the tales. A popular edition that sold well was released in the midth century and included elaborate etchings by George Cruikshank.

However, the copyright lapsed after and various publishers began to print the stories in many formats and editions. Jacob and Wilhelm's collection of stories has been translated to more than languages with different editions of the text available for sale in the US alone.

Showing Average rating 3. Rating details. More filters. Sort order. Start your review of My God Died Young. Sep 14, Pradeep Suresh Pai rated it really liked it. Exceptional work of literature and was way ahead of time. Aug 02, Sony rated it it was amazing Shelves: mychoices. I read it way back in I wanted to gift to a friend but on the way the copy was lost and I returned back heart broken. Aug 31, Piyali rated it really liked it.

I am surprised I did not read this book while growing up in Kolkata. Only recently was I told that this book was banned and hence was not much in circulation.

The author, a brilliant man, a very well read man almost intimidates me with his knowledge. Yet I can't wait to delve into his life and read about all he has to say about being born in an affluent Bengali family in the 's and his growing up in the 50's and 60's. He gives a very honest account of his life, experiences, relationships and I am surprised I did not read this book while growing up in Kolkata. He gives a very honest account of his life, experiences, relationships and in the process introduces the readers to the conflicts and dichotomies that existed in the emergent nation and the Bengali culture.

He was born into a traditional family and schooled in an anglicized school and his confusion in coming to terms with both the worlds is exquisitely portrayed in the book. The traditions that he talks of, the confusion that he felt due to his 'English' schooling and traditional upbringing found resonance in my own life. I, too, in my youth tried to reconcile these two worlds and often felt frustrated about not truly belonging in either. I am sorry that I did not read this book as an adolescent but I believe I had a better and more objective understanding of the author's life and the India and Bengal he talks about in intricate details.

His language and usage of complex yet mellifluous words reminded me of the style expected from us in English compositions in school and then papers in college. The language, however, enhances the beauty of his narrative and dates the book as well. View 2 comments. Sep 09, Kshitiz Goliya rated it really liked it. This book is an individual's critique of the Indian society without the garnishings of facts and theory. Its an honest account of an individual, bestowed with brilliant literary talent, of how the indian society of the s bengal ,and even today I think, was steeped in the quagmire of patriarchy and obscurantism.

It will make you reflect on your surroundings with a new perspective, especially the institutions of marriage and education which this book discusses at length.

The book also, to the This book is an individual's critique of the Indian society without the garnishings of facts and theory. The book also, to the consternation of purists, touches upon the question of sex, which we can't deny plays a role in our life , very frankly and clinically. I don't think there is a better, simpler and beautiful account of all that is wrong with this society. However, one shouldn't expect solutions for that would be too much to ask from the author.

We have to perform that task on our own. Nothing could be greater if this book could be recommended for all college students in India. Apr 30, Divakar rated it liked it. This was a refresher. Read this book first time in Until it popped up on Flipkart, therefore bought it and read it again after 37 years. Still enjoyable. Unfortunately, Sasthi Brata became a one book wonder. His other books were pale shadows of his first book thru which he arrived on the literary scene. For those who want a peek into India and the youth scene, their aspirations and hopes in the s, this book is strongly recommended.

Read in March ". Aug 23, Rasma rated it really liked it Shelves: memoir. I bought and read this book in Delhi in and parts of it remained emblazoned on my memory. My copy is dogeared tattered, printed on poor quality paper, being a cheap locally published edition. Some words have faded away, or were never typeset. I like to think the thin typed lines and thin dark paper make the document in my hands akin to Brata's laboriously produced paper manuscript, pounded out key by key in an effort to claim himself a writer.

Apr 25, Ujjwal Munshi rated it really liked it. Jan 21, Viswanathan Venkataraman rated it really liked it Shelves: s-ands. Loved the title so much, was proud to carry the book around as if I wanted to make a statement. Though looking back I feel the book was written by an arrogant pretentious prick I cannot deny I enjoyed reading it. Oct 20, Ullas Nair rated it really liked it.

Its good..

sex s brata

Goodreads helps you keep track of sex you want to read. Want to Read saving…. Want to Read Currently Reading Read. Sex editions. Enlarge cover. Error rating book. Sexx and try again. Open Preview See a Problem? Details if brata :.

Thanks for telling us about the problem. Return to Book Page. Get A Copy. Paperbackpages. More Details Original Title. Other Editions 1. Friend Reviews. To see what your friends thought of this book, please sign up. To ask other readers questions about My God Died Youngplease sign up.

Lists with Sex Book. This book is not yet featured on Listopia. Community Reviews. Showing Average rating 3. Rating details. More brata. Sort order. Start your review of My God Died Young. Sep 14, Pradeep Braya Pai rated it really liked it. Exceptional work of literature and was way ahead brat time.

Aug 02, Sony rated it it was amazing Shelves: mychoices. I read it way back in I wanted to gift to a friend but on the way the copy was lost and I returned back heart broken. Aug 31, Piyali rated it really liked it. I am surprised I did not read this book while growing up in Kolkata.

Only recently was I told that this book was banned and hence was not much in circulation. The author, a brilliant man, a very well read man almost intimidates me with brata knowledge. Yet I can't wait to delve into his life and read about all he has to say about being born in an affluent Bengali family in the 's and his growing up in the 50's and 60's. He gives a very honest account of his life, experiences, relationships and I am surprised I did not read this book while growing up in Kolkata.

He gives a very honest account of his life, experiences, relationships and in the process introduces the readers to the conflicts and dichotomies that existed in the emergent nation and the Bengali culture. He was born into a traditional family and schooled in an anglicized school and his confusion in coming to terms with both the worlds is exquisitely portrayed in the book.

The traditions that he talks of, the confusion that he felt due to his 'English' schooling and traditional upbringing found resonance in my own life. I, too, in my youth tried to reconcile these two worlds and often felt frustrated about not truly belonging in either.

I am sorry that I did braga read this book as an adolescent but I btata I had a better and more objective understanding of the author's life and the India and Bengal he talks about in intricate details. His language and usage of complex yet mellifluous words reminded me of the style expected from us in English sex in school and then papers in college.

The language, however, enhances the beauty of his narrative and dates the book as well. View 2 comments. Sep 09, Kshitiz Goliya rated it really liked it. This book is an individual's critique of the Indian society without the garnishings of facts and theory. Its an honest account of an individual, bestowed with brilliant literary talent, of how brrata indian vrata of the s bengal ,and even today I think, was steeped in the quagmire of patriarchy and obscurantism.

It will make you reflect on your surroundings with a brata perspective, especially the institutions of marriage and education which this book discusses at length. The book also, to the This sex is an individual's critique of the Indian society without the garnishings of facts and theory.

The book also, to the consternation of purists, touches upon the question of sex, which we can't deny plays a role in our lifevery frankly and clinically. I don't think there is a better, simpler and beautiful account of all that is wrong with sex society. However, one shouldn't expect solutions for that would be too much to ask from the author. We have to perform that task on our own. Nothing could be greater if this book could be recommended for all college students in India. Apr 30, Divakar rated it liked it.

This was a refresher. Read this book first time in Until it popped sex on Flipkart, therefore bought it and read it again after brata years.

Still enjoyable. Unfortunately, Sasthi Brata became a one book wonder. His other books were pale shadows of his first book thru which he arrived on the literary scene. For those who want a peek into India and the youth scene, their aspirations and hopes in the s, this book is strongly recommended. Read in March ". Aug 23, Rasma rated it really liked it Shelves: memoir. I bought and read this book in Delhi in and parts of it remained emblazoned on my memory.

My copy is dogeared tattered, printed on poor quality paper, being a cheap locally published edition. Some words have faded away, or were never typeset. I like to think the thin typed lines and thin dark paper make the document in my hands akin to Brata's sex produced paper manuscript, pounded out key by key in an effort to claim himself brata writer.

Apr 25, Ujjwal Munshi rated it really liked it. Jan 21, Viswanathan Venkataraman rated it really liked it Shelves: s-ands. Loved the title so much, was proud to carry the book around as if I wanted to make a statement. Though looking back I feel the book was written by an arrogant brata prick I cannot deny I enjoyed reading it.

Oct 20, Ullas Nair rated it really brata it. Its good. Dec 16, Anuradha rated it it was amazing. One of the best autobiographies I have ever read. Brilliant writing. Devdutta Ghoshal rated it it was amazing Apr 24, Btata Samanta rated it really brata it Srx 02, Saran rated it liked it Feb 02, Udaya rated it liked it Sep 10, Tarun Prakash rated it really liked it Jun 25, Preeta Mohanty rated it it was amazing Aug 02, Aswin P.

M rated it it was amazing Aug 26, Nirmal rated it really sex it Apr 26, Satyajeet rated it liked it Aug 24, Sex Sarathy rated it it was amazing Nov 06, Conrad Barwa rated it liked it Jun 17, Neeraj Singh rated it liked it Jun 18, Anindita Deo rated it liked it May 09, Pallav rated bgata it was amazing Aug 25, brata Sakthi Vignesh rated it really liked sex Dec 11, Pankaj rated it liked it Jan 08, Nandini Chakravorty rated it really liked it Oct 07, Anjali Bratta rated it it was ok Jan 28,

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